Today the world of comedy lost one of its brightest stars. Jerry Lewis was no stranger to controversy during his decades-long career, but his impact on both Hollywood and comedy in general cannot be denied. From his early days as Dean Martin’s partner-in-crime to his career-capping turn in Martin Scorsese’s The King of Comedy — and countless box office success in the interim — Lewis’s impact on Hollywood will be a source of much discussion for years to come.
With two new releases and a third movie switching from a limited to a wide release, this was a weekend of big changes at the box office. Gone are familiar stalwarts like Wonder Woman and Baby Driver, and in its place are (with respect) the also-rans of summer, a few genre-driven films looking to carve out a name for themselves in a time of year devoid of major blockbuster releases. Here are the numbers as of Sunday afternoon:
It’s the moment you’ve all been waiting for, Edgar Wright fans: did the filmmaker’s action-packed Baby Driver score big with audiences? Or does this weekend belong to sequels, sequels, and more sequels? This weekend was always going to belong to Despicable Me 3— it’s a big hit with the kiddos, don’t you know— but there’s definitely some room for optimism in how the rest of the weekend Top 10 shook out. Here’s the numbers as of Sunday afternoon:
It’s been a few years since Charlie Sheen has appeared in a feature film of any type, but to hear the actor say it, he’s already lined up his big comeback project. For a while now, Sheen has been talking up the possibility of a Major League sequel that brings back the cast and crew of the original film. And now it sounds like the actor has put in the work and might be closer than ever to getting that film made with a bunch of familiar faces.
After several weeks of limited movement, a handful of new releases prompted a pretty thorough shakeup of the Box Office Top 10. While Beauty and the Beast continued its unstoppable assault on the domestic box office, we also said hello this weekend to three new movies and goodbye to a handful of old favorites from the first few months of the year. Let’s start with the estimated numbers as of Sunday afternoon.
It might be a tale as old as time, but audiences have proven there’s still a few petals left on that old flower. Despite being projected to open at somewhere between $214–245 million worldwide, Beauty and the Beast knocked the pants off those projections, eclipsing $350 million at the international box office and setting a March record for domestic releases along the way. Let’s take a look at how things shook out this past weekend with some of the expected grosses.
As times change, standards change, and we occasionally find ourselves bumping up against old traditions that need to retire. Even some of our most beloved childhood movies feature behavior and activities — smoking, strong language, casual misogyny — that went unnoticed and unappreciated by our older selves. Given the well-established health risks that smoking poses, one person recently took it upon himself to sue Hollywood in an attempt to get onscreen smoking banned. I’ll give a moment to guess who won.
Between the epic run of Game of Thrones and the impressive first season of Westworld, odds are good that you’re currently rocking an annual subscription to HBO or HBOGo. Few networks are still in the business of appointment television, but with social media sites like Twitter exploding into a flurry of spoilers after each new episode of both shows, fans are finding that their only real options are to watch on time or to not watch at all. In fact, we can sometimes get so caught up in the flurry of long-form television that we forget that HBO has some pretty darn good movies, too.
How’s this for awkward timing: just as an entire generation of moviegoers are rediscovering their love for Winona Ryder thanks to Stranger Things, her chances at reappearing in the role that made her famous may be dying on the vine. The last time we checked in on Beetlejuice 2, it was Ryder who thought the sequel might actually be happening. Now it is Michael Keaton, her costar from the original film, who seems determined to put the final nail in the coffin.
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